请教 餐厅服务员的基本口语

餐饮服务业英语口语大全—餐厅常用语

1.What kind of food do you prefer？

2.Do you like Chinese food？

3.What kind of food do you like，Chinese or American？

4.Would you tell me where the Chinese restaurant is ？

5.Do you know where I can get a quick snack？

6.What would you have for dinner？

7.What would you like to order？

8.Have you ordered yet？

9.No，not yet，I am waiting for a friend.I will order later.

10.What would you recommend？

11.What's your today’s special？

12.I would like to have something simple.

13.What will you have for dessert？

14.We are in a hurry.

15.Please rush your orders.

16.The beefsteak is very good today.

17.I will take the beefsteak.

18.How would you like to have beefsteak，well-done or rare？

19.I would like my beefsteak well done.

20.How about a drink？

21.Bottoms up！

22.To your health！

23.I ask you to join me in drinking to the health of Mr.Chen.

24.I ask you to join me in drinking to the future success of our cooperation

25.I'm looking for a cheap place to eat.

26.Is there a restaurant near here？

27.Can you recommend me a good restaurant？

28.Is there a Chinese restaurant in this town？

29.Can you show me a restaurant where they serve good food at reasonable prices？

30.How is service？

31.Could I have the menu，please？

32.Here is the menu，sir.

33.Are you ready to order now？

34.Where did you have dinner last night？

35.Do you like Chinese dishes？

36.It's very delicious.

37.The food is too salty.

38.I'm thirsty.

39.Give me a glass of cold water，please.

40.I'm on a diet.

41.I don't feel like eating more.

42.It was a very enjoyable dinner.

43.What would you like to drink？

44.Could I have a cup of coffee？

45.Would you like coffee or tea？

46.I would like tea with a slice of lemon，please.

47.Do you like to have anything else？

48.No，thanks.I have had enough.

49.I would like to have ice cream and fresh fruit.

50.Help yourself to anything you like.

51.Please pass me the salt and pepper.

52.I ordered ten minutes ago.

53.I have been waiting for half an hour.

54.Why is our order so late？

55.I can't wait any longer.

56.Please serve us as quickly as possible.

57.Could I have the bill please？

58.Here you are，please pay the bill at the cashier's desk.

59.Let's me pay my share.=Let’s go Dutch.

60.No，It's my treat.

61.May I pay this time？

你喜欢哪一种菜？

你喜欢中国菜吗？

你喜欢吃什么菜，中式的还是美式的？

请你告诉我中国餐馆在哪里？

你知道哪里有快餐可吃？

你要吃什么？

你要点些什么菜？

你点过菜了吗？

还没有，我在等一位朋友，稍后再点。

请你推荐一些好菜好吗？

今天的特色菜是什么？

我想吃些简单的东西。

你喜欢吃点什么点心？

我们要赶时间。

我们点的菜请快送来。

今天的牛排很不错。

我就要份牛排。

你喜欢的牛排是熟一些还是生的？

我要熟一点儿的牛排。

喝一杯怎样？

干杯！

祝你健康！

请你跟我一起举杯祝陈先生健康。

请你跟我一起举杯预祝我们合作成功。

我要找个便宜的地方吃。

这附近有餐馆吗？

你能介绍一间好餐馆吗？

在本镇有中国餐馆吗？

请你告诉我哪里有价钱公道而菜又好的餐馆好吗？

服务怎么样？

请给我一从菜单好吗？

先生，菜单就在这儿。

你现在就准备点菜吗？

昨晚你在什么地方吃饭的？

你喜欢中国菜吗？

它的味道很好。

菜太咸了。

我口渴了。

请给我一杯冷水。

我在节食中。

我不想再多吃了。

这是个令人愉快的一餐。

你要喝点儿什么？

我想要一杯咖啡好吗？

你要喝咖啡还是茶？

我想要柠檬茶。

你还要吃别的东西吗？

不用，谢谢。我已经吃饱了。

我要吃点冰淇淋和新鲜水果。

你喜欢什么随便吃。

请把盐和胡椒递给我。

我10分钟前就点菜了。

我一直等了半个小时。

为什么我点的菜那么慢？

我不能再等了。

请尽快服务。

请把账单给我好吗？

这就是，请到柜台付账。

我们各付各的。

不，这次我请客。

这次我请客好吗？

“婚”字为什么是一个“女”字旁，一个“昏”字组成。

Charles DIckens's Oliver Twist

Oliver Twist: The Parish Boy抯 Progress

Charles Dickens created an astonishing collection of literary masterpieces each of which tightly grasped the attention of the audience. Dickens was able to maintain a writing schedule that would have exhausted any other author. In slightly more than thirty years, Dickens published more than twenty novels, acted as editor for a variety of literary journals, created his own magazine, worked as a freelance reporter, and executed a series of charismatic public readings. His popularity established Dickens as one of the first 揷elebrities.?SPAN > Crowds brimming with eager fans would accumulate as Dickens bellowed out the charming lines of his tantalizing novels. His significance and notoriety are still easily identified in contemporary literary cannons. Although his books sold and the audience waited on edge for the next installment of his works, Dickens was not given completely favorable reviews to every text.

Oliver Twist was begun in February 1837 and continued as monthly installments in Bentley抯 Miscellany until April of 1839. Dickens originally titled the novel Oliver Twist: The Parish Boy抯 Progress but it has since been shorten to simply Oliver Twist. Dickens finished writing the novel in the London of 1838 and the first edition of the novel was found on shelves in November of 1838. The novel falls into the genre of a children抯 detective story but the novel also contains an aspect of social protest as Dickens details the Poor Laws and workhouses. Dickens uses his hyperbolic irony and sentimentalism to create characters currently residing in the underworld of industrial London. The themes that appear within the text are the delineation between good and evil, the hypocritical attitudes and behaviors of public institutions, and the ultimately flawed theory of individualism. Dickens uses mistaken identities and familial ties to create a story, which closely details the journey of a virtuous orphan through the mean streets of poverty (Spark Notes: Oliver Twist).

While Dickens was composing Oliver Twist, he was also working as editor of Bentleys Miscellany. As an author, Dickens rarely completely finished one work before beginning an entirely new project. For example, Pickwick Papers was not completed prior to his beginning of Oliver Twist. Nor was Oliver Twist completed before Dickens had moved on to Nicholas Nickleby. Master Humphrey抯 Clock and The Old Curiosity Shop were soon to follow. Dickens wrote at a fevered pace which would have been daunting to other authors. In addition to his rapid publication of novels, Dickens was also able to create strikingly differing works. His first serially published novel, Pickwick Papers, was fully of comic charisma; however, Gilbert Keith Chesterton states that Oliver Twist 搃s by far the most depressing of all his books?(Chesterton).

Oliver Twist is the story of an orphan who unwittingly stumbles upon his hidden fortune. The tale is one that vividly depicts the dismal prospects of one born into a workhouse without parents and is forced to survive on little or no compassion. Oliver is unloved and unwanted from the open of the novel. However, as the novel progresses, Oliver finds that his honest and kind disposition win him a variety of friends in high places. Although Fagin and the other street urchins continually seek to ruin Oliver抯 connections, Oliver抯 faithful heart find a home in the end. The novel demonstrates the benefits of a good will that may be found in the most unlikely of people. Oliver抯 merits carry him through life and away from the poverty that capture those with weaker morals. In the conclusion of the tale, Oliver finds himself among those with equally good manners and morals. His situation is only improved through the inevitable triumph of good over evil.

Dickens initially published Oliver Twist in the format of serial publication. Dickens used the process of creating monthly installments to create a high level of suspense, leaving the audience eagerly awaiting the next installment in the series. Oliver Twist was reportedly 揳 part of everyday conversations, just as top rated television shows are for us today.?SPAN > Dickens effectively used the publishing techniques to his benefit; he was able to work the system (Oliver Twist桾he Author and His Times).

Interestingly, Dickens抯 personal environment was greatly shaken in both a happy manner and a sad one during the publishing of Oliver Twist. In May of 1837 Mary Hogarth died, devastating Dickens. Hogarth, his sister-in-law, was a dear friend and supporter of Dickens. Many critics speculate that the characters of Rose and Nancy were modeled after Dickens?companion Mary Hogarth. After Hogarth抯 death, Dickens feelings of abandonment seep into the world of Oliver. Oliver fears the loss of Rose as Dickens mourns the loss of Mary (Oliver Twist桾he Author and His Times). Catherine Dickens was also reported to have given birth to Charles, the first of ten children during this time (Victorian Web). The splendor of a new baby was contrasted with the great loss of a close friend. Dickens, in fact, was forced to take a break from his busy writing schedule to cope with the drastic changes that took place in his personal life at this time.

The Poor Laws were established prior to the publication of the novel. The Poor Laws, according to The Victorian Web, were created to destroy the relief programs that were in play since 1601. The Poor Laws generated a system of workhouses. The workhouses allowed for a program of assistance that did not merely dole out money but rather doled out food, shelter, and clothing. The Poor Laws provided an answer to the declining laws that were supporting the impoverished. The problems were obvious: the current system left the aged uncared for, the children ignorant and uneducated, and the lower class population starving. King George III proposed a plan to:

Stop the allowance system梩o deprive the magistracy of the power of ordering out-door relief梩o alter in certain case the constitution of parochial vestries梩o give large discretionary powers to the central commissioners梩o simplify the law of settlement and removal梩o render the mother of an illegitimate child liable to support it. Dickens[1] 366

However, the workhouses proved to be yet another place to shove the poor. The theory may have been formed from noble ideals but the foundations were flawed.

The boundaries and faults of the Poor Laws are blatantly exemplified in Oliver Twist. Oliver is forced to suffer the indignities of starvation, brutal treatment, and is damned to life in a workhouse. Dickens used his artistic talents to speak for the silent, to fight for the oppressed, and to champion those defeated. Dickens himself states: 揑t was my attempt, in my humble and far distant sphere, to dim the false glitter surrounding something which really did exist, by showing it in its unattractive and repulsive truth?(Dickens 6). Dickens used his literary engine to fuel the debate over the Poor Laws and to reveal the reality that so many unfortunate souls were forced to inhabit.

The novel was received in a variety of ways. Many hailed the novel as a 搑unaway bestseller?and an encore to the highly prized Pickwick Papers. On the other hand, the Jewish population as well as other critics found the novel to be far too sentimental and lacking. One of the major issues raised by an entire community against the novels was the portrayal Fagin, the evil Jew. Milton Kerker in his article 揅harles Dickens, Fagin and Riah?states that Fagin may be the 搈ost grotesgue and villainous Jew in all of English literature.?SPAN > Fagin was found by the Jewish community to be a ruffian with the devil dwelling within his cold heart. In 1854 the Jewish Chronicle was outraged and presented the public with this criticism of Dickens. Later in 1863, Eliza Davis writes Dickens to question his portrayal of Fagin. Dickens responds to Davis by stating:

I must take leave to say, that if there be any general feeling on the part of the intelligent Jewish people, that I have done them what you describe as 揳 great wrong,?they are a far less sensible, a far less just, and a far less good-tempered people than I have always supposed them to be. Fagin, in Oliver Twist, is a Jew, because it unfortunately was true of the time to which that story refers, that that class of criminal almost invariably was a Jew. Dickens 378

The public did not openly object to the portrayal of Fagin until several years after the novel was originally published. However, despite the fact that Dickens maintained his innocence, Dickens did attempt to make alterations in the next edition of the novel to correct this offensive implication. In the 1867 edition of chapter 38, Fagin is referred to as 搕he Jew?more than 250 times. However, in later chapters he is referred to as 搕he Jew?only 32 times. This is thought to have been Dickens抯 attempt to reconcile Fagin抯 character with the Jewish community. Despite this characterization of Fagin and Dickens抯 wording changes, Dickens never openly abused a Jewish person nor did he openly practice anti-Semitic opinions (Kerker).

Likewise, the Monthly Review of January 1839 demanded that Dickens used characters that are so low that sympathy cannot be created. The reviewer feels that although there were comic pieces worth noting, the ending does not comply with the standard notion that the evil ones must face strict consequences while the just are rewarded. The reviewer does not go so far as to claim Dickens to be an immoral writer but he does not treat the characters with the morals that would classify Dickens with the 揾ighest rank of our moral fictionists.?Dickens is yet again commended for openly stating the plea of the downtrodden but in this reviewer抯 opinion, the downtrodden are not moral enough to place Dickens in a higher class of fiction novelists (Dickens 403-405).

Just as the Monthly Review questions the worth of such characters as Nancy, William Makepeace Thackeray also claims that such characters are not worth the sympathy or the attention of the audience. Thackeray does allow for Dickens抯 popularity but questions his use of setting and characters. True, Dickens can charm an audience like none other. True, one must continually read Dickens to satisfy some strange need. Unfortunately, the fact remains that Thackeray does not believe there is much to be gained by closely examining the life of the poor and forgotten (Dickens 408-410). In the opinion of Thackeray, would it not be much more prudent to bestow such kind sympathies upon a worthier class of characters? Character such as Amelia Osborne and Becky Sharp are worthy of moral scrutiny but Oliver Twist and the like shall remain in the gutter, below the view of the mainstream population.

Early reviews from The Examiner, September 10,1837, claim that this novel is an 揺xact painting?of the reality Dickens wished to present to the public. Dickens was praised for his capture of the emotions surrounding death of Nancy and the detailing of Oliver抯 life as an orphan. Although the reviewer is surprised to see Dickens making use of the Poor Law Debates in the first chapters of the novel, the reviewer understands the philanthropy that Dickens is attempting to inspire (Dickens 399-401). In conclusion of this review, the author states: 揥e leave him most reluctantly, and so will every read who has any capacity to see and feel whatsoever is most loveable, hateful, or laughable, in the character of the everyday life about him?(401).

The Spectator states on November 24, 1838, that Dickens 揾as genius to vivify his observation.?SPAN > Dickens is complimented for his powerful use of pathos and his description of truth. The reviewer admires Dickens抯 ability to find good in all humanity despite the dirty surroundings of unfortunates such as Oliver. Dickens抯 style is commended to be capable of an effective use of language while never sounding forced (Dickens 401-402).

The Literary Gazette, and Journal of the Belles Lettres declares on November 24, 1838, that Dickens has 背ug deep into the human mind; and he has nobly directed his energies to the exposure of evils梩he workhouse, the starving school, the factory system, and many other things, at which blessed nature shudder and recoiled.?SPAN > Dickens抯 ability to capture the suffering of Oliver intrigues the reading audience. Those who are far removed from the factories and the workhouses are suddenly acutely aware of the plea of the poor and the corruption of the Poor Laws. Dickens抯 has made a successful journey into social activism with the guidance of Oliver and his band of companions (Dickens 402-403).

The Quarterly Review of 1839 published a glowing review of the novel. The reviewer believed Dickens to be 揳 sign of the times?and as such, he provoked 搈ore interest than that of Halley抯 comet.?SPAN > The reviewer felt that not only did he write just enough and not too much, but also he wrote with enough vigor to demand that the public read the next installment. His popularity was unparalleled and his installments were always immediately read. Dickens manages to tell of 搑eal pain?while the novel lacks in false sentimentalism (Dickens 405-408). The reviewer states: 揌e deals truly with human nature, which never can degrade; he takes up everything, good, bad, or indifferent, which he works up into a rich alluvial deposit. He is natural, and that never can be ridiculous?(Dickens 406).

Ironically, Oliver Twist, one of Dickens抯 earliest published works, returned to Dickens upon his death. During his career, Dickens performed public readings of his novels to large crowds of people. It was reported that such readings drew people from great distances to watch as Dickens reenacted his colorfully written scenes. During one of these readings, his last dramatic performance, Dickens suffered a collapse in April of 1869. Dickens was reading the portion of Oliver Twist where Sikes violently murders Nancy. The scene was 损hysically and emotionally exhausting?for the over-worked author. After this collapse, Dickens ceased to perform public readings of his novels. The stress on his body led to his death on June 8th of 1870. Dickens was working on The Mystery of Edwin Drood at the time of his death (Oliver Twist桾he Author and His Times).

Dickens has been criticized for his choice of characters and setting. At times the novel tends to shift to a sentimentality that leaves a sour taste in the mouth of the reading audience. The novel condemns the world of the Poor Laws by describing in great detail the life of a prostitute, orphan, gang of thieves, and other miscreants that grope their way along the underbelly of civilization. However, many of the reviewers felt that Dickens抯 ability to color realism with his pen was worth reading. Although Fagin may have been referred to as 搕he Jew?numerous times, Dickens was able to effectively shed light upon the suffering of the impoverished. After all, Dickens抯 goal was to pointedly describe the reality of where and how Oliver lived and survived the streets of a city that did not want him. The novel depicts the best of human nature in contrast with the worst of human nature. Couple the dynamic duo of good verse evil with the name of Charles Dickens and a best seller is a sure thing.

Twins的全部专辑

因为中国古代结婚是迎娶女人的意思，故有“女”字。而且成婚是在晚上，后取“黄昏”中的“昏”字。合起来就是男女联姻、婚配的意思。

现在是形声字，左形右声，结婚、婚姻的意思。例句：这对情侣终于走进了婚姻的殿堂。

一共有18张专辑：

1.专辑：Twins x At17 拉阔音乐会

歌手：Twins

语种：粤语

发行公司：英皇娱乐

发行时间：2005年09月23日

1.Opening

2.明爱暗恋补习社

3.女扮男生

4.女校男生

5.正教育

6.士多啤梨苹果橙

7.我爱班房

8.成人礼

9.三分钟后

10.变变变

11.Talk

12.Porcelein

13.始终一天

14.森巴皇后

15.千金+女人味+千金Medley

16.Talk

17.星光游乐园

18.下一站天后

19.风筝与风

20.十八变

21.丢架

22.Talk

23.你讲你爱我

24.唱歌

25.The best is yet to come

26.他和她的事情

27.天生一对+流星雨

28.十个救火的少年

29.La La 世界

30.忘情森巴舞

31.心急人上

32.博览道fans 杀人事件

2.专辑：Samba

歌手：Twins

语种：国/粤语

发行公司：英皇娱乐

发行时间：2005年6月24日

歌曲名称 试听 歌词 点歌 收藏 铃声

1.快乐红白蓝

2.咖啡迷

3.黑色喜剧

4.热粉红

5.森巴皇后

6.救生圈

7.红睡星

8.狂想曲

9.两星期

10.一点一滴

11.森巴 (“森巴皇后”）

3.专辑：见习爱神 (第二版)

歌手：Twins

语种：国/粤语

发行公司：英皇娱乐

发行时间：2005年04月21日

1.无敌超人 (O.T. 大红大紫)

2.见习爱神 (O.T. 明爱暗恋补习社)

3.莫斯科没有眼泪 (O.T. 下一站天后)

4.只要我长大 (O.T. 眼红红)

5.香浓

6.瓶中沙

7.一半女生

8.星光游乐园

9.同样的两个梦 (O.T. 风筝与风)

10.数彩虹

11.老鼠爱大米 (广东版) Twins

12.老鼠爱大米 (国语版) Twins

4.专辑：见习爱神

歌手：Twins

语种：国语

发行公司：英皇娱乐

发行时间：2005年03月18日

1.无敌超人

2.见习爱神

3.莫斯科没有眼泪

4.只要我长大

5.香浓

6.瓶中沙

7.一半女生

8.星光游乐园

9.同样的两个梦

10.数彩虹

5.专辑：八星报喜贺贺喜 (新曲+精选)

歌手：Twins

语种：暂无

发行公司：英皇娱乐

发行时间：2005年1月21日

6.专辑：Such a Better Day(新曲+精选)

歌手：Twins

语种：粤语

发行公司：2004年12月10日

发行时间：英皇娱乐

1.精选 (New)

2.冬令时间 (New)

3.士多啤梨苹果橙

4.下一站天后

5.饮歌

6.千金

7.你讲你爱我

8.女人味

9.夏日狂哗

10.双失情人节

11.大浪漫主义

12.二人世界杯

13.眼红红

14.女校男生

15.18变 (New)

16.追女仔 (New)

17.多谢失恋

18.死性不改 (Twins + Boy’z 合唱版)

19.爱情当入樽

20.乱世佳人

21.朋友的爱

22.恋爱大过天

23.丢架

24.大红大紫

25.风筝与风

26.拍住上

27.梨涡浅笑

28.我们的纪念册

7.专辑：Singing in the Twins Wonderland Vol.4

歌手：Twins

语种：英文

发行公司：英皇娱乐集团(HK)

发行时间：2004-9-6

1.Goodbye to you

2.Three blind mice

3.Fishes，Fishes Where are You?

4.Starry skies

5.The more we get together

6.Friends

7.How Much

8.The three little kittens

9.I habe got six pence

10.How do you do?

11.Ring a ring of roses

12.Froggie Froggie

13.Our school will shine

14.I had a little nut tree

15.Table and chair

16.To the circus

17.When I was a young girl

18.The train

19.Everbody jump

20.Sunny Day

8.专辑：英皇钢琴热恋系列

歌手：Twins

语种：暂无

发行公司：英皇娱乐

发行时间：2004年7月

1.乱世佳人

2.饮歌

3.风筝与风

4.下一站天后

5.多谢失恋

6.朋友的爱

7.眼红红

8.女校男生

9.恋爱大过天

10.陈永仁

11.大浪漫主义

12.明爱暗恋补习社

13.我们的纪念册

14.和平日

15.士多啤梨苹果橙

16.童子军

17.慌心假期

18.人比人

19.你讲你爱我

20.双失情人节

9.专辑：Girl Power

歌手：Twins

语种：粤语

发行公司：英皇娱乐

发行时间：2004年6月25日

1.女人味

2.约会自己

3.受之有愧

4.施比爱

5.爱无敌 (** 千机变II之花都大战 主题曲)

6.07 奥运

7.丢架

8.安全感

9.美丽无比

10.烈女

11.拍住上

10.专辑：Singing in the Twins Wonderland Vol.3

歌手：Twins

语种：英语/粤语

发行公司：英皇娱乐集团

发行时间：2004年4月3日

1.The Music Room

2.I ve Got No Strings

3.Good Morning To You

4.Did You Ever See A Lassie?

5.The Library

6.Cuckoo Clock

7.Sing A Song

8.Ding Dong Bell

9.Hide And Seek

10.Are You Sleeping?

11.Can Tou Tell Me What This Is?

12.Follow Me

13.I Have Two Hands

14.On The Way To School

15.DONKEY DONKEY

16.Boy & Girl

17.Ten Green Bottles

18.The Hokey Pokey

19.Merry Go Round

20.By The Beach

21.伟大的发明家 - 爱迪生

22.童话作家 - 安徒生

23.护士之母 - 南丁格尔

11.专辑：Magic

歌手：Twins

语种：粤语

发行公司：英皇娱乐

发行时间：2004年01月14日

1.两个好

2.士多啤梨苹果橙

3.饮歌

4.轻功

5.零四好玩

6.Gimme 5

7.陈永仁

8.双失情人节

9.蜜月

10.世界儿女

11.帅哥无用 (国语）

12.专辑：Singing in the Twins Wonderland Vol.2

歌手：Twins

语种：英/粤语

发行公司：英皇娱乐

发行时间：2003年11月21日

1.Baa Baa Black Sheep

2.Bingo

3.Colour Song

4.Twinkle Twinkle Little Star

5.Old MacDonald Had A Farm

6.Finger Song

7.Two Little Eyes

8.Auld Lang Syne

9.Row Row Row Your Boat

10.Do Re Mi

11.I Saw Three Ships

12.Oh!Suzanna

13.Silent Night

14.The Morning Song

15.Head And Shoulder Knees And Toes

16.Hush Little Baby

17.Looby Loo

18.Little Bird

19.ABC

20.Hickory Dickory Dock

21.葡萄园的农夫

22.得意忘形的蚊子

23.背盐的驴子

13.专辑：进化论

歌手：Twins

语种：粤语

发行公司：英皇唱片

发行时间：2003.09.04

1.乱世佳人

2.你讲你爱我

3.慌心假期

4.You Know What I Mean

5.朋友的爱

6.夏日狂哗

7.高温瑜伽

8.香港纽约

9.Beautiful Day

10.三角圆舞

14.专辑：下一站天后

歌手：Twins

语种：国语

发行公司：-

发行时间：2003年5月

1.下一站天后

15.专辑：Twins

歌手：Twins

语种：国语

发行公司：未知

发行时间：2003年4月

1.风筝与风

2.百试不厌

3.明爱暗恋补习社

4.女校男生

5.学生手册

6.换季

7.我们的纪念册

8.风筝与风（Lost And Found Version）

9.NO 1

10.爱情当入樽

11.二人世界杯

12.Ichiban兴奋

13.你是我的UFO

14.大红大紫

15.高手看招

16.星星月亮太阳

17.眼红红

18.恋爱大过天

19.朋友仔

20.梨涡浅笑

21.发梦见过你

22.人比人

23.快熟时代

24.大浪漫主义

16.专辑：我们的纪念册

歌手：Twins

语种：国语

发行公司：未知

发行时间：2002年

1.二人世界杯

2.发梦见到你

3.分飞燕

4.高手看招

5.哥哥

6.活动教学

7.没法做足一百分

8.朋友仔

9.我们的纪念册

10.眼红红

11.友谊第一

17.专辑：双生儿

歌手：Twins

语种：粤语

发行公司：英皇唱片

发行时间：2002年

1.大浪漫主义

2.涉谷车站见

3.神奇两女侠

4.着睡衣睡觉

5.孖宝668

18.专辑：爱情当入樽

歌手：Twins

语种：粤语

发行公司：英皇唱片

发行时间：2002年

1.爱情当入樽(Air Mix)

2.爱情当入樽

3.飞线

4.和平日(We Mix)

5.和平日

6.恋爱大过天

7.女校男生(Back To School Mix)

8.学生手册

9.有所不知(Marie主题曲)